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Basbwe is committed to
providing opportunities for conductors involved in wind music to further
their skills. A key aspect of this is the Basbwe / Canford conducting
course which has been running since 1991. Read on for information about
the 2008 course, or click here for some history
and a review of 2007.
BASBWE Wind Band Conductor's Course
&
Symphonic Wind Orchestra
Canford Summer School of Music
3rd to 10th August 2008
Timothy Reynish, Mark Heron, Philip Scott
Conducting Course
The course is for wind band conductors at the intermediate and advanced
levels. Up to twenty-five students will be accepted as "active"
participants working from two repertoire lists. Lists A and B
are for the experienced student whilst list B is for the less
experienced student. Observers are also encouraged and will be fully
involved in general technique sessions, discussions and playing in the
class ensemble, but they will only conduct at the discretion of the
tutors.
The class will explore
conducting techniques, score preparation, rehearsal and training skills. A
CD and score library will be available for reference and special emphasis
will be placed on extending the knowledge of repertoire at all levels. A
DVD recorder will be used to analyse technical requirements and
development and all participants will have the opportunity to continually
review their work during the course, and to take away a DVD at the end of
the week. The course will run concurrently with the Symphonic Wind
Orchestra and there will be close liaison between the two. All
participants should bring with them any instruments they play, in order to
accommodate ensemble work within the class. (If for any reason you unable
to bring your instrument(s), please let the summer school office know when
you enrol.)
Students are required to
prepare their chosen repertoire thoroughly before commencement of the
course. All students are asked to prepare the Kozhevnikov to conduct
in the first session.
Obtaining Scores
Links have been provided to the publishers, many of whom have efficient
online ordering systems.
Just Music is
a sheet music retailer specialising in wind music and should be able to
obtain all of these items, even if not listed in their online catalogue.
The Maecenas site does not have an online ordering facility but they
deal very quickly with email and telephone orders. The Kozhevnikov
is probably obtained most easily from
JW Pepper - enter
2329399 as the catalog# on their site. The Schirmer site will inform you
that the Schoenberg is hire only, but you can purchase it from JW
Pepper, catalog# 7390669.
Preparation and
Repertoire Selection
Participants are not expected to thoroughly prepare all of the
repertoire, although you may if you wish. It is far better to learn 3 or
4 pieces very well than to have only a very superficial knowledge of
them all. The List A/ List B division is fairly vague, and it intended
simply to guide the more experienced conductors towards the more
substantial works which appear in that list. Participants should,
however, feel free to mix and match if they wish.
Everyone should prepare
the Kozhevnikov as this will be used in the first session of the week
during which everyone will conduct for a few minutes in order that a
quick assessment can be made of each participant. The Mozart will be
covered in a couple of chamber music sessions during the week, and it is
certainly worth preparing all or some of that work.
Participants may find
some of the articles on conducting, score study and rehearsal technique
available in the Resources section of this
site, at
www.timreynish.com and at
www.markheron.co.uk
useful.
Course Structure
The course is essentially egalitarian. To a large extent, all
participants receive equal amounts of podium time and generally most
people conduct every day. Most of the sessions are with the class
ensemble, which is often augmented by extra players. Some of the more
advanced students will have the opportunity to work on occasions with
the Symphonic Wind Orchestra. Unlike many conducting courses, this one
where you will actually have the chance to conduct!
Any questions or
enquiries about repertoire, preparation or the course content can be
directed to
Mark Heron.
All applications or other
administrative enquiries must be made through the
Canford
Summer School website, where information about cost, location,
administration can be found along with application details.
Symphonic Wind Orchestra
The Symphonic Wind Orchestra is designed for experienced amateurs and
students to play and study significant repertoire for Wind Orchestra and
Wind Ensemble. A regular feature of the course will be chamber music as
well as wind ensemble playing. Some of the repertoire will be studied in
depth, the remainder in repertoire sessions.
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Sallinen |
Palace Rhapsody
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Roxburgh |
Elegy for Ur
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Sparke |
Dance Movements
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Binney |
Master Humphrey’s Clock
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Wilby |
Laudibus in Sanctis
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Bailey |
Chasses Musicales
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Roxburgh |
Aeolian Carillons
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Schuller |
Nature’s Way
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Kanchelli |
Magnum Ignotum
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For further information,
including how to apply, please visit the
Canford
Summer School site.
| Timothy Reynish |
Timothy Reynish held principal horn positions
with the Northern Sinfonia, Sadlers Wells Opera and the City of
Birmingham Symphony Orchestra before joining the Royal Northern
College of Music as Tutor in Conducting and later Head of School
of Wind and Percussion. He studied conducting with George Hurst,
Dean Dixon, and Franco Farrara, was a prizewinner in the
Mitropulos International Conducting Competition, and has conducted
orchestras and wind ensembles in Canada, Scandinavia, Europe the
Middle East and North and South America. Since leaving the RNCM he
has worked unstintingly to raise both the performing standards and
the quality of music played by wind orchestras and ensembles
around the world - indeed he has commissioned a copious number of
major works himself. Following a term as President of the World
Association for Symphonic Bands and Ensembles he currently spends
much of his year commuting between America and the UK with the
occasional trip to Australia! |
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| Mark Heron |
Mark Heron
studied at the Royal Scottish Academy of Music &
Drama, the Royal Northern College of Music and in international
masterclasses with Neeme Järvi and Jorma Panula. In 2005 he won
the Neeme Järvi Conducting Competition and the following year was
selected by the London Symphony Orchestra to participate in their
mentoring scheme for young conductors. Mark is Music Director of
the Nottingham Philharmonic Orchestra, Liverpool Mozart Orchestra,
Manchester University Symphony Orchestra and the National Youth
Wind Orchestra of Israel. He is a member of the conducting faculty
at the RNCM where he works with all of the college’s orchestras
and ensembles and regularly records contemporary music with the
RNCM Wind Orchestra. As a guest conductor Mark works regularly
with orchestras in Finland, Estonia, Germany and Israel as well as
in the UK. Increasingly well regarded in the field of conductor
training, Mark teaches at the RNCM, Manchester University, the
Royal Air Force and Canford Summer School. You can find out more
about his activities at
www.markheron.co.uk
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| Philip Scott |
Phillip Scott has over the last twenty-five
years established a reputation as director of several important
wind programmes. In 1985 he founded the Wells Cathedral School
Wind Ensemble, the first pre-conservatoire one-player-per-part
group in the country, and from 1986 to 1991 he was conductor of
the Avon Schools’ Symphonic Wind Band with whom he toured the Gulf
States and Sultanate of Oman. He recently returned to this group,
now known as the South West Youth Wind Sinfonia, as its music
director and is also this year conducting the Kent Youth Wind
Orchestra. Since 1993 he has been conductor of the National Youth
Wind Ensemble of Great Britain. He made his BBC Proms début with
this group in August 2000 and has appeared with NYWE at the
biennial international conferences of the World Association for
Symphonic Bands and Ensembles in Jönköping, Sweden (2003) and
Killarney, Ireland (2007). Their recording, with clarinettist
Sarah Williamson, of the Philip Grange Clarinet Concerto, appeared
on the Campion label in 2006. A British citizen for thirty-five
years, Phillip was awarded a Churchill Travelling Fellowship in
1992 that enabled him to research instrumental music teaching
techniques in his native United States. He was executive producer
of the first training video specifically for instrumental
teachers, Six of the Best, launched in May 2001 and produced by
the Federation of Music Services in association with Classic FM.
During the last ten years, Phillip has played a key role in the
conception, design and construction of two new-build arts venues,
the Wiltshire Music Centre in Bradford on Avon and the Performing
Arts Centre in Lewis, East Sussex. He is currently Principal of
the Blackheath Conservatoire of Music & the Arts in south east
London. |
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